Scant months after the spring 1970, Beatles disbandment, George Harrison released his solo album, All Things Must Pass, ATMP (on this very day, fifty years ago).
My local FM station’s late afternoon DJ, Jim Curtis, immediately opted to air it, in it’s entirety, and, upon my ear-witnessing that bygone broadcast, four things became abundantly clear:
- John, Paul, George and Ringo, recording / performing, individually, could now offer their mourning fans four times the musical output; a consolation prize that was truly groovy (slang-wise and in the vinyl sense, too).
- For far too long, songsmith Harrison’s talents had been underappreciated and inordinately eclipsed by the Lennon / McCartney songwriting team.
- Had the Beatles continued recording together, all 18 of those ATMP tracks could’ve fit in, perfectly, on their albums. Alas, one can only imagine how John, Paul and Ringo’s instrumental and vocal interpretations would’ve enhanced / changed the final mix.
- I needed to get this musical masterpiece into my life / record library, ASAP (and did so scant days later).
Upon spinning this album in its entirety, late last evening, I decided to blog about it on its golden anniversary; to feature, in Side 1 thru 4 numerical order, each lead off track. It’ll be up to you whether you listen to all four songs in their entirety OR choose just one or two, OR merely sample ’em, etc.
Seeing how Harrison’s songs amply speak for themselves, my commentary will be minimal.
This Harrison / Dylan collaboration, at face value, serves as a let’s take our friendship to the next level appeal to that special someone. Yet, the lyrics could also be interpreted as George’s clever way of re-introducing himself; his own appeal to fans to accept him in his new soloist role.
Could this track be considered the sequel to Lennon / McCartney’s All You Need Is Love? The resounding chorus, “Tell me, what is my life without your love; Tell me, who am I without you, by my side” doth ring true.
The couplet, “Watch out now, take care, beware of greedy leaders; They take you where you should not go”, admonishes average Janes and Joes to never empower ideologues who are little more than PTDs (Politically Transmitted Diseases).
We get a glimpse of Harrison’s less serious side. His whimsical, lyrical reversal, “I Love Dig”, doth prove so Lennonesque, too. Obviously, George spending all those years with John served him well. Even better, this track ends this post on an upbeat, playful note.
If you’d like to track thru past BlogCasts, they’re all neatly archived within both my BlogCast and Music categories. Check ’em out at your convenience.
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