A “leader”, who shall go nameless, has been going on a rampage from Day One… posing a major threat to humanity’s very survival. If not an outright, treasonous, political puppet or “just” pure evil, might we categorize him as a terrible two tyke experiencing a major meltdown… exhibiting a YUGE temper tantrum to our horrified, global community?
Would a spin-doctor’s diagnosis be, “Oh… he’s just going through a phase?”
If so… WTF would it take for “junior”, to stop blowing up and start growing up? A go stand in the corner time out would seem rather pointless docha think? After all… in his oval digs, there are no such architectural structures.
But… even in a rectangular setting that would still be a moot point. Very few of his running amuck, fellow political party, party animal enablers seem willing to trot out the inter-branch, governmental checks and balances. And if they cannot muster the maturity and courage to administer the necessary Constitutional tough love to discipline this tyrant… what’s left?
Well folks, how about a much needed (albeit temporary) musical diversion?
How about an unscheduled, mid-May BlogCast where I’ll be going through a phase? More to the point… phasing the music.
One of the really cool “tricks of the DJ trade” involves taking the two turntables, at hand, to the outer limits; especially if they have pitch controls, which does greatly facilitate such phasing.
But even if the available tech is not sufficiently fancy schmancy to allow the jock to slightly vary the speed… i.e., so one turntable plays infinitesimally faster than the customary 33 1/3 and 45 RPM… not all hope is lost.
Now, let’s say we’re dealing with the less sophisticated tech scenario. As is often the case, even when comparing the performances of two “identical” model numbered turntables, manufacturing tolerances (i.e., variances in speed) will handily come into play. That’s the key element! (Oh…btw… CD players are also subject to similar, unintended speed variables… ergo… this makes phasing compact discs possible, too).
What the DJ does is cue up two identical copies of a recorded song and then start up the slightly faster player a few “microseconds” AFTER the slower one. (S)he’ll then keep the faster player’s sound “off the air” while monitoring its progress with a pair of headphones… awaiting the ideal moment… that point just before it catches up with the slower one. At that juncture, (s)he’ll gradually increase the volume of the off-the-air turntable… mix that audio output into the over-the-air signal.
The sound waves between the two will then start to “duke it out” as they get closer and closer to synchronization… thereby producing those hippie, trippy, nearly otherworldly sound effects.
Seeing that I don’t have the ability to actually demonstrate this, I now present four recordings where no timing rigmarole is required…
That’s because similar audio wizardry was employed at the recording studio level to permanently incorporate these spacy effects into the master tape.
Of course in playing these tracks back, we’re bound to encounter some ads, which, regrettably, will disrupt our ability to directly segue this special music… but… after all… YouTube’s “paying the piper” is also a fact of life in the DJ trade.
Arbors ~ The Letter
Small Faces ~ Itchycoo Park
Bloomfield, Kooper & Stills ~ You Don’t Love Me
Doobie Brothers ~ Listen To The Music (Drum Cover by Sina)
If you liked what you heard today, click back for my June 1, 2017 BlogCast.