The Wind of 120 Days / Change


Being unable to actually, meaningfully converse with civilians who still call Afghanistan home, my understanding of their plight will be limited to conjecture; hopefully insightful, educated guessing. And, seeing how I’ve only had a scant seven days to sort out that godforsaken war’s tragic, abrupt, turn for the worst, this post, at best, should be viewed as a work in progress.

And plight is apt terminology, considering how, the Taliban toppled President Mohammad Ashraf Ghani’s administration; not unlike how the “Wind of 120 days” would slam into a house of cards; indeed, a most unwelcome wind of change.

Re my educational creds, I’m no heavily college degreed student of this particular region’s history; merely a man whose gut has oft proven trustworthy, at times, prescient.

And my gut reaction, right from the get-go, was that “President” George W. Bush’s invasion of Afghanistan was doomed to end precisely like it did! There’d be no way in Hell, that moron could ever bomb his way into nation building; i.e., into establishing an enduring, honest, level-headed, even-handed Democracy. And Hell, too, is apt terminology.

Let’s now try to look at this from my uncertain perception of the Afghans’ perspective.

• For starters, how could civilians not resent any superpower’s meddling; even by a nation that’s purportedly benign? What could ever be worse to eyewitness, first hand, than America’s ceaseless attempts to willy-nilly bomb their already imperfect homeland back to the stone age? Think about it. Oppressor W mindlessly maiming and murdering, to do what? Oust another oppressor such as the Taliban? An apt song couplet doth comes to mind:

“Meet the new boss
Same as the old boss”

Pete Townshend • Composer of “Won’t Get Fooled Again” • Full Lyrics Linked Here

• As for Americans training Afghan troops, did the generals actually expect their barked out orders, “Fight W’s war, Dammit!”, would be met with a resounding chorus of “Yessirs!”? Many of these new recruits would likely yell, “Yessir!” to Townshend’s very lyrics; i.e., shout, “No Sir!”, to being bossed around.

• Of course we must be fair, here, too. There had been some societal improvements, especially the gains made by females of all ages. But, seeing how defusing chronic, toxic masculinity can be problematic most anywhere in our world, why would Afghanistan be any different? Wherever a male fits into the Taliban hierarchy (if, indeed, anywhere), it’s highly unlikely that female liberation would wind up, high up on his to do list.

For now, for the sake of keeping this post mercifully short, I’ll limit this far from complete analysis to those three bullet pointed speculations above.

Suffice to say, other than one helluva, beyond repair, mucked up mess, George W. Bush wound up with nothing to show for the oceans of red blood and red ink he had needlessly spilt.

And, considering the Taliban’s brutal, sadistic nature, this wretched régime’s return to absolute power won’t find them in any particular hurry to right any of war criminal W’s unforgivable wrongs.



Stay Publicly / Properly Masked!
Stay Safe at Home!
Stay Healthy!









Not “Even if it Takes a Million Years!”

As I began amassing my record collection as a Sixties era teenager, my “inner scientist” began to wonder what the life expectancy of vinyl LPs might actually be.

That’s why I started logging each album’s purchase date.

That’s how I know that I bought my copy of the Who’s Who’s Next album on this very 18th day of August… way back in 1971.

Right from the initial playback, I had become immediately, immensely impressed by songsmiths Pete Townshend and John Entwistle’s lyrical / musical sensibilities and the entire band’s mastery of their instruments. Everyone having turned in such a stellar performance… well…

To me… this day in history became akin to a “where were you when moment”. As such, I still harbor enduring, fond, vivid recollections of that long ago day.

On this Sunday afternoon, It only seemed right to recreate that moment… i.e., by playing back Who’s Next in its entirety. I carefully dusted all the grooves with a preener and then revved up my turntable. All was going well until Side 1’s closing moments when, all the sudden, the stylus encountered an ungroovy groove problem… which caused the needle to get stuck in one place.

I found myself chuckling at the irony of a how a track titled, Song Is Over, could not possibly end… not “Even if it takes a million years”. <— Attribution: Townshend lyrics from this very song.

Well… it took an LED flashlight’s brilliant beam and high powered magnifying glass to eventually track down and correct this tracking problem… yet… part of me wanted to leave this unfixed. More about that in a moment.

Keep in mind that, up until today, this particular, well cared for vinyl record had a half century’s worth of absolutely no previous tracking issues. So, how, pray tell, had that suddenly become a problem?

Keep in mind, too, that I’ve oft used “the song is over” as a metaphor to concede hopelessly irresolvable problems.

My awareness of these facts caused me to sense something far deeper than groove deep was in play.

Whether we choose to drag religion into this… or not… would you not agree that there’s a lesson to be learned from that stuck stylus, which flat-out refused to let the song end? The sweet song of a meaningful, happy, healthy life must never end.

We can only hope that all who regularly travel life’s high road will harbor such resolve within their heads and hearts… and apply such stick-to-itiveness while working towards the betterment of our global society.




October BlogCast ~ EyeTunes Covered


Welcome to our monthly musical get-together. Setting up this BlogCast’s theme won’t take much time. The four featured tunes… superb cover versions all… contain lyrics, which mention three of the six major colors of the human eye’s iris.

From the FYI Dept… since none of the composers saw any particular need to clutter their songs with dry statistics, I figured I’d clutter this post to briefly mention the results of my quick Google search… namely… that 55% of our human family members have Brown eyes, 8% Blue and 2% Green.

On a technical note… whenever YouTube commercials pop up, they do ruin my segues. Of course, you can just play them back “as is”… OR… if you’d prefer to don your DJ cap… the following brief tutorial could come in handy…

To ensure these segues are seamless, it’d be advisable to “audition” the 2nd, 3rd and 4th tracks in advance. That way you can either PLAY or SKIP any YouTube Ads that may appear from time to time. I mean, Madison Avenue jingles do jangle this BlogCasts’ aesthetics. However, once the Ads are out of the way, just click PAUSE and confirm the counters are “ZEROED OUT”. If your reflexes aren’t quick enough, the songs may start too soon. If so… re-cue the tracks by simply dragging that “RED DOT” backward to 00:00.

That duly noted… let’s give these EyeTunes a listen and a look-see…


Janet Devlin ~ Behind Blue Eyes (Who Cover)

Caroline Jones ~ Brown Eyed Girl (Van Morrison Piano Cover)

Ariana DeBoo ~ Green Eyes (Coldplay Cover)

Emily Kirsch ~ Don’t It Make My Brown Eyes Blue (Crystal Gayle Cover)


I thank you for your listenership and cordially invite you to click back here for my next monthly BlogCast, which typically features anywhere from 3 to 5 songs that, when segued, transform everything into a variety of appealing themes. My next program is slated to hit the www during the first week of November 2018.

FYI, my past musical presentations are archived within my BlogCast and music categories.

If you’ve enjoyed this post, don’t forget to like, follow, share and comment (click onto this blog’s headline to access the “LIKE” and “Reblog” buttons and “Comment Box”).


Four-Play (Week #13) Thanks for listening!


Welcome to my Internet Blogcast. This week, my show’s four-tracked, musical theme reflects “The End” to my show’s planned 13-week run. While I’ve barely scratched the surface regarding ideas for future programming, past shows’ low ratings simply don’t warrant my continuing on a regular basis.

My special thanks go out to all of the recording artists who have so graciously allowed us YouTube access… permitted us to ear-witness their studio performances and eyewitness them, live, on stage. I want them to know that I am not a freeloader… a very high percentage of the music I’ve featured in my Blogcasts is material I’ve purchased in the vinyl and/or compact disc formats. In fact, some of their music, which I’ve heard online, has even inspired me to go out and purchase what I hadn’t previously included in my vast library.

I also thank the talented YouTube videographers and performers who’ve greatly enhanced all we’ve seen and heard, here.

On a personal note, I thank my sister who… oh so long ago… had encouraged me to have big ears / be musically adventurous.

Last but not least, I thank each and everyone who has listened to, liked, and commented on the twelve previous installments of Four-Play.

Turning now to the routine Blogcast housekeeping duties…

Even though this program comes to an end this week, for as long as WordPress remains on the www, my previous shows will remain neatly archived in my music category. Who knows… since it’s oft been said that “Nothing ever dies on the Internet”, what I’ve created, here, might even outlive both WordPress and me.

If you’ve enjoyed what you’ve heard, this day, click that “Like” Star. Of course, comments, as always, are welcome, too!

Thanks again for listening… I hope… in some small way… that my Blogcasts have made a difference in your lives. Take care!


Who ~ The Song Is Over

Sha Na Na ~ Only One Song

(Cover) Alice In Chains ~ Don’t Follow

Paul Simon ~ The Sound Of Silence (9/11/2011)

Simon and Garfunkel ~ The Sound Of Silence (original studio recording)